It seems that for the foreseeable future we are to be confined to our domestic environment, the dwelling in these intimate spaces generating ever-closer relationships with the objects within them. While caring about possessions may, for some, appear as a moral failing, it does not necessarily equate to greed or materialism. Objects create meaning and comfort, serving as bridges to people, places and moments in time, tapping into raw emotion. A gift from a loved one, a memento collected as a reminder of places close to the heart, a potted plant tenderly cared for in a favourite light-filled corner, a treasured teacup, a chair lovingly restored or the artwork that indescribably stirs.
Objects can embody goals, manifest drive, generate sentiment and shape identities. We are makers and users of objects, carving meaning out of our domestic environment. And rather than serving as a poor substitute for human interaction, objects amplify connections. They are portals to memories and vessels for notions of a sense of self and belonging. They amplify and cradle our experiences and provide solace, much like a security blanket might serve as psychological comfort for a child in an unusual or challenging situation. And we most certainly find ourselves in one of those.
The Object and the Beholden features work by Alan Constable, Anne Lynch, Kate Knight, Samantha Ashdown, Steven Ajzenberg, Valerio Ciccone, Georgia Szmerling, Chris O’Brien, Simon Paredes and Terry Williams.
Walk through the exhibition via entering a virtual room, scrolling the slideshow below or downloading the The Object and the Beholden catalogue (this link redirects to a PDF).
Mapping Our Own Future is weekly series of solo and group virtual exhibitions curated from our stockroom. An extension of our gallery to a virtual space, the series offers a place to connect with our artists while at home. Visit other virtual exhibitions here.
Produced by Arts Project Australia gallery administrator Jo Salt.